It looks a lot like an analog console, an a large monitor can be an advantage.Įach input channel has a Harrison EQ and compression, and tape saturation controls are available on busses. The interface has a definite analog look and feel, and it certainly sounds terrific.Ī screenshot of the Harrison MixBus DAW. As such, it has a great many of the same functions as other DAWs, but the interface and implementation of those functions is markedly different. What makes MixBus different is that it is designed from a console maker’s perspective, as opposed to a computer programmer’s point of view. Like most top-level console makers these days, they have branched into digital consoles, and MixBus is an extension of that experience. I’ve use one once, for a telethon, and it was a REALLY nice board. Harrison is a small company in Nashville that makes very high-quality consoles for broadcast and studio use. I had trouble getting an early version of Audacity to run on my Mac, though that was awhile ago. While it is very good, Audacity isn’t a pro-level program, and Mixbus definitely is.
But only if you own a Macintosh system, since it’s a Mac- or Linux-only application. It’s not something you’ll see full-page ads about in the magazines, and some folks might think of it as an audio professional’s “secret weapon.” But if you work with professional audio, you should definitely check it out.Īt $79, Harrison’s MixBus package is a heck of a good deal… even better than Audacity, which is free.
#Mixbus 3 review software#
I’ve recently started working with a new software package that I stumbled upon at the Nashville AES recording workshop.